A participatory installation juxtaposing language around borders, freedom and migration. The audience was asked to construct narratives, using the magnetic panels on the fence. These panels present terms, identified in academic, journalistic and poetic texts, and the definition of the individual words. It can be read as an ever-changing poem in physical form, reflecting simultaneously the individual and collective vocabulary within its context. The installation was available to the public during the Work in Progress Show at the Royal College of Art, 2019.
All photography below shot by Pamela Dimitrov.